Emanuela Di Stefano \"enters\" the art world early on, led by his maternal uncle wood sculptor and designer, Alfredo Capolei.He comes also as a journalist working for years at the newspaper office the Nettunense.
Constant for the street art he graduated at the Art School, while attending the free school of the nude and a two-year course of Celtic Literature.Following several direct experiences, sums up his learning cycle to the \"career\" of painter / sculptor / interior designer / restorer of antiques, continuing to deepen and improve these areas.
Always attracted by psychology and the human soul, silently offers herself to the social, this has always offered the possibility to grasp the particular psychological and physiognomic as a basis for primary research of the most heterogeneous pictorial subjects.Also like many artists over time have experienced different materials and techniques, creating parallel pictorial cycles superficially inconsistent with each other, but united by a search for \'deeper level, through the unique and authentic \"instrument\": the eyes.
A human and artistic path survived to complex developments, in principle the need to analyze the human figure in its most \"intimate\" in order to pass then the universe informal, to \"hunt\" of form as a universal message.Quieted and exhausted his energy returns to figurative painting surreal, windy hermitage cloaked in sweet and salty breeze.
His spirit \"free\" is realized through the sculpture and writing what she calls its origins thanks to Uncle Alfred that was able to understand his natural abilities.Great passion for photography, review, writing and revision of the concept of recycling of materials and craftsmanship.
For about fifteen years I have been the restoration of antiques, collaborate with architects in the home renovation projects, as interior designer, decorator and designer furniture.
She also teaches art and decorative materials in private and people with disabilities, to support the project \"along with good humor\" by Dr. L. Basili.